The Bread and the Bones
- Black-and-white and color film, close-up and macro
- 2020
- Tehran studio
Close-up of hands folding dough, flour dust in the air
Named for the bread dough Hooman built with as a four-year-old, this series photographs hands and raw material together (dough, wet clay, wax, wet concrete) at the exact point of being shaped. Craftsmen, laborers, and Hooman's own father appear throughout, hands mid-motion, material caught between formless and formed.
It's a quiet argument that the instinct to build is inherited long before it's taught, passed hand to hand, material to material, well before anyone calls it art.